Archive for feminism

Review: Alien Boys

Posted in Reviews with tags , , , , , , on June 7, 2019 by Magadh

Alien Boys, Night Danger (Desolate Records)

I’m going to just open up by saying that Vancouver B.C.’s Alien Boys have put out a punk rock record that is pretty close to flawless. If you don’t want to read any further, feel free to head over to their Bandcamp page and see if I’m right. But on the off chance that you need more convincing (from me) I will just say that on Night Danger they have found the sweet spot where rocking really fucking hard (which they do) meets smart, passionate politics (which they have). Honestly, I’m having a hard time thinking of something critical to say about them. Maybe it will come to me later.

First off, I love the name, not only because it is (I’m reasonably certain) a reference to the brilliant EP released by The Wipers in 1980, but also because Alien Boys is a great name for a band made up of five women. They put out a demo in 2016 called Self-Critical Theory. I can’t recall hearing it at the time, but it definitely had promise. It was pleasingly raw, chugging punk with melodies that lifted it above the run of releases in this vein. It was good, but it’s one of those things that looks better when you hear what came after.

Night Danger is in a whole other league. With two guitars the band absolutely thunders through nine cuts (plus the intro) of blazing, melody-tinged punk. There are a lot of reference points in the history of this genre that you could point to. Maybe Rabid Reaction-era Freeze (minus the stupid lyrics) crossed with early SNFU (no, not because they’re Canadian). Alternatively, they sound like The Gits with a second guitar and a lifetime supply of beer and steroids.

Alien Boys are unapologetically political and unflinchingly feminist. They have a kind of tonal similarity to War on Women in this respect, but with a slightly more goofball edge (I’m thinking here of the song “Bender” for which the video is fucking brilliant). Still, when they want to be serious they write songs that really strike home. One of the great failings of dudes (and here I do not exclude myself) is not hearing when women (especially those in the LGBTQ+ community) tell us that they don’t feel safe. “Whose Bodies?” is a great take on this:

When you go out to a nightclub, do you ever look around and wonder “is this safe?”
have you had to hit the ground?
does walking in the street with a loved one hand in hand make you do shoulder checks – because you feel demands from eyes that pry and ask you,
“why do you act this way?”
have you ever been cornered no chance to walk away
countless taken from us and more murdered every day
I’ll tell you something it takes strength to be out in this way
so we resist to this day

Night Danger is loaded with anthemic cuts that are passionately feminist and queer positive. It is, for this reason, not just a great record, but an important one as well. Writing great punk tunes is one thing. Using them as a vehicle for conveying messages that it is crucial that people hear is another. The ability to do both makes this one of the best punk records that I have ever heard.

After so many decades, one often finds oneself wondering if punk as a genre is played out. On the basis of this, you’d have to think it wasn’t. It retains its ability to deliver important messages. Punk always had an element (often a very strong element) of cis white guys mouthing political ideas that they didn’t really understand. But, at its best, it also created (and creates) spaces in which people marginalized people could talk about their lives and their experiences at the tops of their lungs. Sometimes you have to shout at the world because the world doesn’t want to listen. Night Danger is a great example of that.

Review: War on Women

Posted in Reviews with tags , , on August 4, 2016 by Magadh

War on Women s/t Bridge 9 Records

wowI always like seeing women break into the rock and roll boys club. I’ve heard about as many songs about man pain as I can stand at this point. Truth to tell, the thing I always liked about the underground scene was the space that it set up for women to express themselves outside the framework of dude-centered culture. And thus I was so often disappointed when the same old dude-centric tropes seemed always to be reproduced, whatever the rhetoric of inclusion might have suggested.

It’s been my privilege to see a lot of women with powerful souls getting their rock on. I wish everyone could have seen Tam Simpson fronting Sacrilege in their heyday, inscribing the poetry of the apocalypse across their blistering metal swirl. That was brilliant, but it was one woman in a four piece, and if it’s not quite fair to say that that doesn’t count, still it doesn’t seem to quite get to the cultural place of bands like Bikini Kill or Sleater-Kinney in which women were the entire creative force.

Baltimore’s War on Women is a hybrid between these two conditions. Three out of the five members are women, including singer Shawna Potter, guitarist Nancy Hornburg, and bassist Suzanne Werner. But War on Women’s feminism is not so much a matter of having women at the skill positions (although that’s important too) but in their unabashed and unapologetic political stance. From their name, to the cover of their most recent eponymous release (which gets my vote for best of the decade), to their forthright discussions of topics like rape, abortion, and dude culture on the internet, this is a band whose values are front and center, and whose way of expressing them takes no prisoners.

It certainly doesn’t hurt that their message is delivered in a musical voice that would make you sit up and listen even if they didn’t have something important to say. There’s a lot of this disc that sounds like Swiz without the metallic overtones, or a slightly less melodic take on early Dag Nasty. But then there are also plenty of passages that are simple, fist-to-the-jaw punk, and the mixture makes for very interesting listening.

War on Women ticks all the boxes. They’re a punk band that actually has something to say, which is, frankly, all too rare (and not just these days). This is something that underground music (to say nothing of American culture generally) needs more of. War on Women demand to be taken on their own terms and to have their commitments heard and taken seriously. And they rock, which doesn’t hurt at all. They’re on tour in Europe now, and if you live over there, go see them. Yes, you.

For more on War on Women

https://bitchmedia.org/post/meet-baltimore-feminist-hardcore-band-war-on-women

https://waronwomen.bandcamp.com/music

https://www.reverbnation.com/waronwomen

http://www.bridge9.com/waronwomen

Solidarity With Pussy Riot

Posted in Articles, Heads Up with tags , , on October 12, 2012 by Magadh

One October 10th the 3 jailed members of Russian feminist punk band Pussy Riot found themselves back in front of the Russian judges who first imprisoned them. Yekaterina Samutsevich was  released from prison after suspension of her sentence. However, the tribunal ruled Nadezhda Tolokonnikova and Maria Alekhina will be forced to serve out their 2 years sentences for hooliganism.

Shortly after her release from prison Christiane Amanpour interviewed Yekaterian Samutsevich. The short interview is well worth your time and is available here.

In solidarity with Pussy Riot, Tobi Vail (ex-Bikini Kill and Frumpies) released a song entitled Free Pussy Riot. The song was inspired by Free John Sinclair by John Lennon and Yoko Ono. It’s a great tune and Vail encourages listeners to spread it far and wide as a message of support for the jailed members of Pussy Riot. Check it out here and then pass it on!

Free Pussy Riot!

– Captain of Games