Things You Should Know

First, a brief apology for the inconsistent posting this week. It has been a difficult week in terms of power here at the Thousand Trivs bunker. Frequent outages over the last couple of days have required repeated expeditions to the roof of the southern pod in an attempt to effect repairs. As this particular region is prone to storms, extreme heat, and the depredations of hordes of wandering zombies, one can easily imagine that this has taken a lot of time and energy (and bullets).

The power flow has been restored, no thanks, frankly, to the efforts of the Captain of Games. Somehow he always seems to be on extended reconnaissance sweeps when the dirty work needs to get done.

In any case, it is our goal to have new content every day and, assuming my jury rigging of the condensers on the south ridge was successful, we should be in business with the appropriate regularity.

While I am here, I thought I might provide a couple of bits and bobs until we fully have our shit together. I was talking briefly with Greg from Masakari after their blistering set at Now That’s Class the other night. He told me two interesting things. The first was that he actually plays in a drop C tuning. Yeah, I know that’s not really that interesting to those of you who aren’t musically inclined. For those who are, I will say that I spent a lot of time at the Masakari shows that I have seen watching him and trying to figure out what kind of tuning he was playing. Drop C explains a lot of things.

The second thing that he mentioned was the From Ashes Rise were playing again and had a new record coming out. I have a lasting fascination with those guys, not just because they’ve put out some absolutely devastating music, but also because they moved to Portland several months after I left and I really felt kind of cheated by that. Their new 7” is called Rejoice in the End and is available from the good people at Southern Lord . The A side, which is all I’ve heard so far is a bit more metal tinged that their Nightmare’s era stuff. “Rejoice in the End” is slower, but lacking none of the melody and punch of FAR’s classic releases.

I read the other day that Napalm Death had a new record out. It’s on Century Media and it’s called Utilitarian. I’m tempted to get it even though their records since From Enslavement to Obliteration have generally left me kind of cold. I think it’s that ticky tacky drum sound that was pioneered at Morrissound in Tampa during the early 1990s and kind of took over death metal. Then of course there’s the fact that there are currently zero original members left in the band. Oh well, I guess I shouldn’t let minutiae get in the way. The guy from metalsucks.net seems to like it (he gave it 4 out of 5 horns) and generally they are a pretty critical bunch over there.

And finally, a copy of the latest Martyrdöd offering Paranoia has recently shown up around the bunker, so we’ll have a review of that in the next couple of days.

Magadh

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